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Beloved Christmas carols: O Little Town of Bethlehem

Musicology for Everyone Posted on December 17, 2024 by David GuionDecember 17, 2024  
Bethlehem. O little town of Bethlehem history

City of Bethlehem, in Palestine from Views in the Ottoman Dominions, in Europe, in Asia, and some of the Mediterranean islands (1810) illustrated by Luigi Mayer (1755-1803), via Creazilla

Plenty of Christmas carols emphasize the regal and supernatural aspects of the day or evoke the emotions that Christians have long felt when contemplating the birth of Jesus. “O Little Town of Bethlehem” emphasizes the quietness surrounding the birth of the Christ child in a little town. No one noticed except angels, who in this text don’t appear to people.

American preacher Philips Brooks visited Bethlehem largely because of exhaustion after the Civil War. Once he wrote the text, he asked his organist Lewis Redner to compose a tune for it. They lived to see what they thought was just a carol for the children in their Sunday school became nationally famous. Later, it became known around the world. Continue reading →

Posted in Christmas music | Tagged American music, Christmas music, hymns, nineteenth century | Leave a reply

Symphony no. 3, Rhenish, by Robert Schumann

Musicology for Everyone Posted on October 12, 2024 by David GuionJanuary 28, 2026  
Dusseldorf, Rhine

Düsseldorf and the Rhine / between 1890 and 1905, via Wikimedia Commons

In all, Robert Schumann composed and published four symphonies. The last of them in order of composition is what is known as the Third Symphony, or Rhenish Symphony. His publisher had declined to accept the second of his symphonies. Schumann revised it in 1851 and so it was published as his Fourth Symphony.

The Rhenish Symphony acquired its nickname from letters to his publisher and some friends. In them, Schumann spoke of the Rhine River as his inspiration. Continue reading →

Posted in Program notes | Tagged Christmas music, classical music, composers, nineteenth century, program notes, Schumann (Robert), symphonies | Leave a reply

Patrick S. Gilmore: pioneering American bandmaster

Musicology for Everyone Posted on July 16, 2024 by David GuionJuly 16, 2024  
patrick s.gilmore in uniform

Patrick S Gilmore / Illustration for The New Metropolis edited by E Idell Zeisloft (D Appleton, 1899).

Patrick S. Gilmore was born Christmas Day 1829 in Ballygar, County Gallway, Ireland, near Dublin. He attended the village school and learned to play fife and drum. When he was 14, he started an apprenticeship in Athlone, headquarters of as many as four English regiments. They all had bands, and Gilmore fell in love with band music. One regimental bandmaster, the renowned Patrick Keating, taught the young boy musical notation, composition, instrumentation, and conducting.

Gilmore put together his own thirty-piece band to play at the masses in Athlone’s St. Peter’s church. At the end of each service, he hurried out to listen to whatever the parishioners said about the music. In 1849, Keating advised Gilmore to move to America. Continue reading →

Posted in Bands and band music, Uncategorized | Tagged American popular music, bands, composers, conductors, Gilmore (Patrick S), nineteenth century | Leave a reply

The sacred music of Anton Bruckner

Musicology for Everyone Posted on April 29, 2024 by David GuionApril 29, 2024  
Bruckner monument

Bruckner monument in Stadtpark, Vienna / photo by Benoit Prieur via Picryl

We think of Anton Bruckner as a symphonist and devout Wagnerian. In fact, he had long experience as a composer of church music before he ever heard Wagner’s music or attempted to compose a symphony. He had apparently experimented with chromatic harmonies, too.

His best-known large-scale sacred music includes three masses and the Te Deum. He also composed motets throughout his career. Many of them are performed much more frequently than the larger works. Several include trombones, continuing a long-standing Austrian tradition. Continue reading →

Posted in Composers | Tagged Bruckner (Anton), composers, nineteenth century, sacred music, trombone | Leave a reply

The G bass trombone: the short history of a long trombone

Musicology for Everyone Posted on April 6, 2024 by David GuionSeptember 23, 2024 5
G bass trombone and B-flat tenor trombone

G bass trombone (Boosey & Company, ca. 1923) next to a ordinary tenor trombone for comparison / from eBay auction

The trombone is among the oldest instruments still used in European and American music, but several varieties have a much shorter history. The soprano trombone first appeared in the early to middle 18th century and has been used primarily in the Moravian tradition. The G bass trombone apparently dates only from the early 19th century. It was used only in British music (including colonial holdings such as Australia)—and it lasted barely into the last quarter of the 20th century.

Michael Praetorius’ description trombones in his Syntagma musicum (1619) includes among others the Rechte gemeine Posaun (ordinary, or tenor trombone) and the Quart-Posaun (bass trombone, a trombone pitched a fourth lower than the tenor). The fourth remains the most common relationship of tenor to bass to this day. The modern tenor trombone is in B-flat, so the most common long bass trombone is in F, although we’re likely to call it a contrabass trombone today.

An inventory of instruments from Stuttgart in 1589 mentions Terz-Pusonen, pitched a third lower than the tenor. In other words, they stood in the same relationship to the tenor trombone as a bass trombone in G. Ordinarily at that time, trombonists used crooks to lower the basic pitch of their instruments, but apparently the Stuttgart court preferred to have longer ones made instead. They are outliers, however. Apparently, no one made anything comparable for more than two centuries. Continue reading →

Posted in Trombone and other brass | Tagged bass trombone, history, nineteenth century, twentieth century | 5 Replies

The Stoughton Musical Society: early New England music’s savior

Musicology for Everyone Posted on March 9, 2024 by David GuionMarch 9, 2024 1

Stoughton Musical Society plaqueThe Stoughton Musical Society, founded in 1786, is America’s oldest continuously operating musical institution. It was founded under the inspiration of a singing school presented in Stoughton by William Billings, America’s first notable composer.

When Lowell Mason drove Billings’ music out of New England churches, the society continued to sing it. Preserving the tradition eventually became a core aspect of its mission.

The society incorporated under the laws of Massachusetts in 1908 and changed its name to Old Stoughton Musical Society. Continue reading →

Posted in American popular music | Tagged American music, Billings (William), choral music, composers, eighteenth century, Mason (Lowell), nineteenth century, twentieth century | 1 Reply

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