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Symphony no. 6, Pastoral, by Ludwig van Beethoven

Musicology for Everyone Posted on February 10, 2024 by David GuionFebruary 10, 2024 2
Beethoven. Sixth Symphony

Beethoven in 1804, / Detail of a portrait by W. J. Mähler

Beethoven’s odd numbered symphonies have the reputation of being stormy and dramatic, while the even numbered symphonies seem more gentle and easy-going. For that reason, perhaps, the even numbered ones are less popular. Symphony no. 6, Pastoral, is easily the best known and most performed of the even numbered symphonies.

Beethoven worked on his Fourth, Fifth, and Sixth symphonies, among other major works, between 1806 and 1808. The latter two are the first of Beethoven’s symphonies with trombone parts.

Many symphonies and chamber works are known by nicknames that, more often than not, the composer never thought of. Beethoven himself supplied names for the Third Symphony (Eroica) and the Sixth (Pastoral Symphony, or Recollections of Country Life).

Continue reading →

Posted in Program notes | Tagged Beethoven (Ludwig van), classical music, composers, nineteenth century, program notes, Sixth Symphony (Beethoven), symphonies | 2 Replies

Symphonie fantastique by Hector Berlioz

Musicology for Everyone Posted on November 18, 2023 by David GuionNovember 18, 2023  
psychedelic art

Metaphysical Avangardism / Rivandori via Wikimedia Commons 

Ordinarily, we know symphonies as symphony number whatever in whatever key. If we know them by a nickname, such as “Bear” or “Jupiter,” the composer seldom supplied it. Hector Berlioz’ Symphonie fantastique broke all kinds of molds. For one thing, it is the first of four of his symphonies, but not a one bears a number, and only two have the word “symphony” in the title at all. How did he become such a bull in a china shop? Continue reading →

Posted in Program notes | Tagged Berlioz (Hector), composers, nineteenth century, program notes, symphonies | Leave a reply

Polovtsian Dances from Prince Igor, by Alexander Borodin

Musicology for Everyone Posted on October 21, 2023 by David GuionMay 29, 2024  

Plenty of people have composed music as a hobby, but none more successfully than Alexander Borodin, a chemist by profession. As a hobbyist, he did not produce a lot of music, but his works include symphonies, chamber music, and an opera—some of the loveliest music in the repertoire. The opera, Prince Igor, includes the ever-popular “Polovtsian Dances,” which formed the tune of the Broadway hit “Stranger in Paradise.” Its success is remarkable, because he never finished the opera. Continue reading →

Posted in Program notes | Tagged American popular songs, Borodin (Alexander), composers, nineteenth century, opera, orchestral music, program notes, videos | Leave a reply

The U.S. Marine Band and John Philip Sousa

Musicology for Everyone Posted on August 26, 2023 by David GuionAugust 26, 2023  
John Philip Sousa on belt buckle

Commemorative belt buckle with portait of Sousa, 1985 / Wikimedia Commons

The United States Marine Band is the oldest professional musical organization in the country. John Philip Sousa, its most famous leader, elevated it from a town band in Washington D.C. to a national touring band.

In exploring Sousa’s accomplishments, it is necessary to describe the history of the Marine Band. As it turns out, the band would not have needed a leader of Sousa’s qualifications without the previous efforts of another remarkable musician, Francis Scala. Continue reading →

Posted in Bands and band music | Tagged American music, bands, composers, music in society, nineteenth century, Sousa (John Philip), US Marine Band | Leave a reply

Sleepy Lagoon by Eric Coates and Jack Lawrence

Musicology for Everyone Posted on July 22, 2023 by David GuionJuly 22, 2023 3
Sleepy lagoon at Selsey

East Beach at Selsey. The plaque says “This view across the sea to Bognor Regis inspired Eric Coates to compose “By the Sleepy Lagoon” in 1930. It became the BBC signature tune for “Desert Island Discs.” / © Barry Shimmon via Geograph

Many top American songs have become hits immediately. A fair number have made little impression at first but became hits later. These include Easter Parade, I’ll Be Seeing You,  and My Funny Valentine.

 But how many of those belated hits have been based on music of a British composer working in a completely different genre with words by someone who had never met him? Only “Sleepy Lagoon” by Eric Coates comes to mind. Coates composed it in 1930. It only became a hit twelve years later, and first on the other side of the pond. Continue reading →

Posted in American popular music | Tagged American popular songs, composers, orchestral music, twentieth century, videos | 3 Replies

Symphonic Metamorphosis by Paul Hindemith

Musicology for Everyone Posted on February 18, 2023 by David GuionFebruary 18, 2023  
Day and Night by M.C. Escher. metamorphosis

Day and Night (1938) by M.C. Escher / Photo by Pedro Ribeiro Simões via Flickr

Symphonic Metamorphosis on Themes by Carl Maria von Weber ranks among the most popular orchestral pieces by Paul Hindemith. The dry, academic, and perhaps even pretentious title belongs to an entertaining piece with unfailing good cheer.

As popular as it is, critics and scholars appear not to consider it a great work. For example, the biography of Hindemith in The New Grove Dictionary of Music and Musicians does not mention the piece. Nor does it appear in Alex Ross’ The Rest is Noise.

Hindemith himself seems to be regarded among a multitude of composers who wrote some wonderful music but did not achieve greatness. Continue reading →

Posted in Composers, Program notes | Tagged composers, Hindemith (Paul), orchestral music, program notes, twentieth century | Leave a reply

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