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Patrick S. Gilmore: pioneering American bandmaster

Musicology for Everyone Posted on July 16, 2024 by David GuionJuly 16, 2024  
patrick s.gilmore in uniform

Patrick S Gilmore / Illustration for The New Metropolis edited by E Idell Zeisloft (D Appleton, 1899).

Patrick S. Gilmore was born Christmas Day 1829 in Ballygar, County Gallway, Ireland, near Dublin. He attended the village school and learned to play fife and drum. When he was 14, he started an apprenticeship in Athlone, headquarters of as many as four English regiments. They all had bands, and Gilmore fell in love with band music. One regimental bandmaster, the renowned Patrick Keating, taught the young boy musical notation, composition, instrumentation, and conducting.

Gilmore put together his own thirty-piece band to play at the masses in Athlone’s St. Peter’s church. At the end of each service, he hurried out to listen to whatever the parishioners said about the music. In 1849, Keating advised Gilmore to move to America. Continue reading →

Posted in Bands and band music, Uncategorized | Tagged American popular music, bands, composers, conductors, Gilmore (Patrick S), nineteenth century | Leave a reply

Sousa’s Band: the most famous American wind band

Musicology for Everyone Posted on January 6, 2024 by David GuionJanuary 16, 2024  
Sousa's Band, 1893

Sousa Band, St. Louis Expo 1893

Before television, movies, radio, or sound recordings, people either had to learn to play musical instruments or attend concerts to experience music. Wind bands provided the majority of concerts. In the golden age of American wind bands, none was as successful and well known as Sousa’s Band.

John Philip Sousa gained the experience and reputation needed to start a successful touring band as leader of the U.S. Marine Corps Band, America’s oldest professional musical ensemble. Before Sousa, it functioned as little more than Washington, DC’s town band. In his twelve years of service, Sousa transformed it to a nationally recognized band.

Under his leadership, the Marine Band started recording for the Columbia Record company. Sousa’s marches became some of the earliest hit records.

After years of trying, Sousa obtained permission to take it on tour. He hired David Blaikley, the former manager of the Gilmore Band, to organize the first tour throughout the Midwest. Its success encouraged a second tour that took the band as far as San Francisco. The success of that tour directly led to the end of Sousa’s leadership of the Marine Band and the formation of Sousa’s Band. Continue reading →

Posted in Bands and band music, Composers | Tagged American popular music, bands, music in society, nineteenth century, Sousa (John Philip), twentieth century | Leave a reply

The U.S. Marine Band and John Philip Sousa

Musicology for Everyone Posted on August 26, 2023 by David GuionAugust 26, 2023  
John Philip Sousa on belt buckle

Commemorative belt buckle with portait of Sousa, 1985 / Wikimedia Commons

The United States Marine Band is the oldest professional musical organization in the country. John Philip Sousa, its most famous leader, elevated it from a town band in Washington D.C. to a national touring band.

In exploring Sousa’s accomplishments, it is necessary to describe the history of the Marine Band. As it turns out, the band would not have needed a leader of Sousa’s qualifications without the previous efforts of another remarkable musician, Francis Scala. Continue reading →

Posted in Bands and band music | Tagged American music, bands, composers, music in society, nineteenth century, Sousa (John Philip), US Marine Band | Leave a reply

Francis Johnson: a life of musical firsts

Musicology for Everyone Posted on February 26, 2022 by David GuionFebruary 4, 2026  
Francis Johnson historical marker

Marker at 536 Pine St. Philadelphia / Wikimedia Commons

Francis Johnson, also known as Frank Johnson, was among the first noteworthy American composers of instrumental music. He was the first black composer to have his music published. His band was among the first to achieve a nationwide reputation and tour extensively. And it was the first to go on a foreign tour. Johnson was also among the first musicians to participate in interracial performances.

Although there was some speculation that Johnson was born in Martinique, historians have determined that he was born in Philadelphia as a free black on June 16, 1792. And it’s certainly in Philadelphia where he made his first mark.

Johnson’s childhood, early musical training, and personal life are little known, but he was playing music professionally in Philadelphia by 1812. He probably first gained attention as a fiddler for dances. He later became known for performances on multiple instruments, especially violin and keyed bugle. Continue reading →

Posted in Bands and band music, Composers | Tagged American popular music, bands, composers, Johnson (Francis), nineteenth century | Leave a reply

School bands in the United States

Musicology for Everyone Posted on September 2, 2019 by David GuionJanuary 28, 2020  
Eaglebrook Middle School band concert

Eaglebrook Middle School band concert, 2012. Sorry, but their Flickr profile doesn’t identify where they are located.

As students return to school, school bands and orchestras are starting up again. It seems useful to consider the history and current state of school instrumental music programs. To keep this post to a reasonable length, I will concentrate on bands once they became established.

Early in American history, vocal music spread steadily throughout school curriculums. Only a few schools had bands or orchestras, and they existed only as ad hoc groups. That is, they met outside school hours. The leader, an amateur musician, taught another subject for the school.

For one thing, educators favored sacred music over secular music. For another, there was little precedent for instrumental instruction even in European schools.

Throughout most of the first half of the nineteenth century, Americans had little opportunity to hear really good instrumental music.

The last half of the century, on the other hand, is considered the golden age of bands. Professional bands led by Patrick Gilmore, John Philip Sousa, and many others reached a larger population with good music than did American orchestras.

The earliest documented American school instrumental music program began in 1857 at Boston’s Farm and Trade School. A few other similar programs existed in the last half of the nineteenth century. They had no standard instrumentation and offered no academic credit. These miscellaneous ensembles of stringed and wind instruments hardly count as either orchestras or bands. Continue reading →

Posted in Music education | Tagged American music, bands, children, music education, music in society, twentieth century, twenty-first century | Leave a reply

How Original Band Music Marginalized the Concert Band

Musicology for Everyone Posted on February 9, 2015 by David GuionNovember 9, 2021 1
concert band

An unidentified concert band, 2011.

When Patrick S. Gilmore took over leadership of the New York 22nd Regiment Band, he took it on a coast-to-coast tour. The age of the professional touring band had begun.

Like all bands before or contemporaneous with the Gilmore Band, as it soon became known, it performed a mix of music for popular entertainment and serious orchestral and operatic repertoire.

Music composed originally for concert band was limited to marches, music Gilmore’s soloists wrote for themselves, and other lighter fare by Gilmore himself. Gilmore’s great successor John Philip Sousa and all their notable contemporaries constructed comparable concert programs.

Not until the 1920s, after the heyday of the professional touring band had started its decline, did anyone think the concert band should have its own serious repertoire. Original band music did nothing to enhance critical opinions of the artistic merit of wind bands. In fact, the whole concept emerged at a time when audiences were starting to reject music of many well-known orchestral composers. Continue reading →

Posted in American popular music | Tagged American music, bands, classical music, nineteenth century, taste, twentieth century | 1 Reply

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