↓
 

Musicology for Everyone

(Professional research for a general audience)

  • Home
  • About
  • Contact me
Home→Author David Guion - Page 2 << 1 2 3 4 … 56 57 >>

Author Archives: David Guion

Post navigation

← Older posts
Newer posts →

The G bass trombone: the short history of a long trombone

Musicology for Everyone Posted on April 6, 2024 by David GuionSeptember 23, 2024 5
G bass trombone and B-flat tenor trombone

G bass trombone (Boosey & Company, ca. 1923) next to a ordinary tenor trombone for comparison / from eBay auction

The trombone is among the oldest instruments still used in European and American music, but several varieties have a much shorter history. The soprano trombone first appeared in the early to middle 18th century and has been used primarily in the Moravian tradition. The G bass trombone apparently dates only from the early 19th century. It was used only in British music (including colonial holdings such as Australia)—and it lasted barely into the last quarter of the 20th century.

Michael Praetorius’ description trombones in his Syntagma musicum (1619) includes among others the Rechte gemeine Posaun (ordinary, or tenor trombone) and the Quart-Posaun (bass trombone, a trombone pitched a fourth lower than the tenor). The fourth remains the most common relationship of tenor to bass to this day. The modern tenor trombone is in B-flat, so the most common long bass trombone is in F, although we’re likely to call it a contrabass trombone today.

An inventory of instruments from Stuttgart in 1589 mentions Terz-Pusonen, pitched a third lower than the tenor. In other words, they stood in the same relationship to the tenor trombone as a bass trombone in G. Ordinarily at that time, trombonists used crooks to lower the basic pitch of their instruments, but apparently the Stuttgart court preferred to have longer ones made instead. They are outliers, however. Apparently, no one made anything comparable for more than two centuries. Continue reading →

Posted in Trombone and other brass | Tagged bass trombone, history, nineteenth century, twentieth century | 5 Replies

The Stoughton Musical Society: early New England music’s savior

Musicology for Everyone Posted on March 9, 2024 by David GuionMarch 9, 2024 1

Stoughton Musical Society plaqueThe Stoughton Musical Society, founded in 1786, is America’s oldest continuously operating musical institution. It was founded under the inspiration of a singing school presented in Stoughton by William Billings, America’s first notable composer.

When Lowell Mason drove Billings’ music out of New England churches, the society continued to sing it. Preserving the tradition eventually became a core aspect of its mission.

The society incorporated under the laws of Massachusetts in 1908 and changed its name to Old Stoughton Musical Society. Continue reading →

Posted in American popular music | Tagged American music, Billings (William), choral music, composers, eighteenth century, Mason (Lowell), nineteenth century, twentieth century | 1 Reply

Symphony no. 6, Pastoral, by Ludwig van Beethoven

Musicology for Everyone Posted on February 10, 2024 by David GuionFebruary 10, 2024 2
Beethoven. Sixth Symphony

Beethoven in 1804, / Detail of a portrait by W. J. Mähler

Beethoven’s odd numbered symphonies have the reputation of being stormy and dramatic, while the even numbered symphonies seem more gentle and easy-going. For that reason, perhaps, the even numbered ones are less popular. Symphony no. 6, Pastoral, is easily the best known and most performed of the even numbered symphonies.

Beethoven worked on his Fourth, Fifth, and Sixth symphonies, among other major works, between 1806 and 1808. The latter two are the first of Beethoven’s symphonies with trombone parts.

Many symphonies and chamber works are known by nicknames that, more often than not, the composer never thought of. Beethoven himself supplied names for the Third Symphony (Eroica) and the Sixth (Pastoral Symphony, or Recollections of Country Life).

Continue reading →

Posted in Program notes | Tagged Beethoven (Ludwig van), classical music, composers, nineteenth century, program notes, Sixth Symphony (Beethoven), symphonies | 2 Replies

Sousa’s Band: the most famous American wind band

Musicology for Everyone Posted on January 6, 2024 by David GuionJanuary 16, 2024  
Sousa's Band, 1893

Sousa Band, St. Louis Expo 1893

Before television, movies, radio, or sound recordings, people either had to learn to play musical instruments or attend concerts to experience music. Wind bands provided the majority of concerts. In the golden age of American wind bands, none was as successful and well known as Sousa’s Band.

John Philip Sousa gained the experience and reputation needed to start a successful touring band as leader of the U.S. Marine Corps Band, America’s oldest professional musical ensemble. Before Sousa, it functioned as little more than Washington, DC’s town band. In his twelve years of service, Sousa transformed it to a nationally recognized band.

Under his leadership, the Marine Band started recording for the Columbia Record company. Sousa’s marches became some of the earliest hit records.

After years of trying, Sousa obtained permission to take it on tour. He hired David Blaikley, the former manager of the Gilmore Band, to organize the first tour throughout the Midwest. Its success encouraged a second tour that took the band as far as San Francisco. The success of that tour directly led to the end of Sousa’s leadership of the Marine Band and the formation of Sousa’s Band. Continue reading →

Posted in Bands and band music, Composers | Tagged American popular music, bands, music in society, nineteenth century, Sousa (John Philip), twentieth century | Leave a reply

Beloved Christmas carols: Lo, How a Rose E’er Blooming

Musicology for Everyone Posted on December 16, 2023 by David GuionDecember 16, 2023  
Photo: Lo, how a rose e'er blooming

Lo, How a Rose E’er Blooming: a last rose in the snow in Skandia (photographer’s title and description) /
yooperann via Flickr

No one knows who wrote either the German text or the tune of “Lo, How a Rose E’er Blooming.” According to legend, a monk near the Rhineland city of Trier found a rose blooming one Christmas Eve, plucked it, and put it in a vase on an altar devoted to the Virgin Mary. The poem “Es is ein Ros entsprungen” may have been written as early as the 15th century, but the earliest extant version appeared in the late 16th century.

At the time, the Protestant Reformation roiled Europe in general and Germany in particular. Catholic and Lutheran publishers issued slightly different versions of the text, paired with the tune we know and love today. I say slightly different, but the change of two lines clearly shows a theological gulf. Just whom does the rose symbolize? Continue reading →

Posted in Christmas music | Tagged Christmas music, music in society, nineteenth century, sixteenth century | Leave a reply

Symphonie fantastique by Hector Berlioz

Musicology for Everyone Posted on November 18, 2023 by David GuionNovember 18, 2023  
psychedelic art

Metaphysical Avangardism / Rivandori via Wikimedia Commons 

Ordinarily, we know symphonies as symphony number whatever in whatever key. If we know them by a nickname, such as “Bear” or “Jupiter,” the composer seldom supplied it. Hector Berlioz’ Symphonie fantastique broke all kinds of molds. For one thing, it is the first of four of his symphonies, but not a one bears a number, and only two have the word “symphony” in the title at all. How did he become such a bull in a china shop? Continue reading →

Posted in Program notes | Tagged Berlioz (Hector), composers, nineteenth century, program notes, symphonies | Leave a reply

Post navigation

← Older posts
Newer posts →

Musicology for Everyone

Search by category

  • American popular music
    • Civil War music
    • Jazz
  • Anecdotes
    • Quotations
  • Bands and band music
  • Christmas music
  • Classical music
  • Composers
  • European musical history
  • Humor
  • Music education
  • Music Festival
  • Opera
  • Orchestras
  • Program notes
  • Trombone and other brass
  • Uncategorized

Archives

Music composer jobs
Footer HTML
©2026 - Musicology for Everyone - Weaver Xtreme Theme
↑