Making sense of sonata form

People today with little or no musical training somehow “get” a 12-measure blues chorus or the standard song forms of various modern styles. Even music majors taking theory classes have a hard time with sonata form. How is anyone else to understand it? Sonata form did not always cause confusion or seem to set up a barrier to understanding music. It actual started off as an attempt to simplify music. I have written several posts about the rise of the middle class, the popularity of what we call “classical” music, and the aftermath of the French Revolution, which destroyed public … Continue reading

Tension and resolution, or, an odd musical alarm clock

In tonal music (that is, the majority of what we listen to), each chord has a function. One chord, the tonic (the chord build on the first note of the scale) is a place of rest. Once the key is firmly established, every other chord has some degree  of tension that demands eventual resolution to the tonic. Probably every listener knows, at least instinctively, whether the occasional pause in a piece is on the tonic, a fit place to end, or something else, which requires the music to continue. Professional musicians, of course, are acutely aware of the tonic. If … Continue reading