Rossini overtures




During the latter part of the nineteenth century until the latter part of the twentieth, most of Rossini’s operas (the chief exception being The Barber of Seville) disappeared from the repertoire. Many of their overtures, at the same time, became mainstays of the orchestral repertoire. It is therefore ironic that Rossini hated writing them and put them off as long as possible. In an undated letter he advised a young colleague: Wait till the evening before the opening night. Nothing primes inspiration like necessity, whether it takes the form of  a copyist waiting for your work or the coercion of … Continue reading

When “classical”; music was “popular”–Part 1




Everyone knows that Rossini’s operas are part of “classical music,” but it hasn’t always been that way. During Rossini’s lifetime, he was widely reviled by lovers of “classical” music, as were many other operatic composers. One writer in a French journal proclaimed that there were only two kinds of musicians: classicists and Rossinists. Like nearly everyone else who wrote for the major journals, he was a Rossini-disdaining classicist. I have put “classical” in quotation marks, but when that French critic used it, it meant something very specific. For one brief, shining moment in music history (the late eighteenth century), everyone … Continue reading

Trombone in the (old) news–part two




Here are some more gems from the Times of London: Dec 25, 1863. In the midst of the American Civil War, the Christy Minstrels, among the most important American entertainers of the time, went on an international tour and presented ten concerts in London during the week following Christmas 1863. The advertisement lists all of the music to be played on the two concerts on Saturday, the 26th, including a trombone solo performed by J. Randall. 1866. Two different horses named Trombone appear in the “Sporting Intelligence” column. One owned by Mr. Machell is mentioned on Sept. 29, and Oct. … Continue reading

Trombone in the (old) news–part one




I am in the process of preparing a book on the history of the trombone for publication. Scarecrow Press will publish it some time before the end of next year. There are a lot of interesting details that wouldn’t fit into the book and probably aren’t much good for any other formal, scholarly writing. That’s the great thing about blogs. From time to time I’ll share my wealth of interesting but not necessarily useful or important information. Every word of the Times of London from 1785 to 1985 is available in full text online (for anyone with access to a … Continue reading