American shaped notes tune books and the fasola tradition

When William Little and William Smith published The Easy Instructor (Philadelphia 1801), they started a spate of shaped notes tune books over the next half century or so. Perhaps the best known today is The Sacred Harp (1844). The traditional singing style associated with these books is known as the Sacred Harp style. The four shapes correspond to four syllables (fa, sol, la, mi) that form the theoretical underpinnings for the way these tunes have long been taught. Anyone who knows “Do, a deer” from The Sound of Music knows that there are seven syllables. Where did this fasola come … Continue reading