Why do some composers and works not survive in the repertoire?




I’m sure everyone knows that the amount of classical music performed and recorded today represents only a small fraction of what has been written. It seems a common assumption that these composers must have written inferior music that deserves to be forgotten. While that is certainly true in some cases it does not explain everything. Fashions change. A hundred years ago, music lovers thought Haydn hopelessly old-fashioned. They welcomed Rossini overtures on concert programs, but only The Barber of Seville of all of his operas maintained its place on stage. They regarded Telemann as one of Bach’s inferior contemporaries and … Continue reading