We Wait beneath the Furnace Blast: Civil War protest music

Hutchinson Family

On January 17, 1862 the Hutchinson family intended to perform for the First New Jersey Regiment at Fairfax Courthouse, Virginia, but members of other units crowded into the room, too. The Hutchinsons were evangelical Christians with a passion for temperance, women’s rights, and the abolition of slavery. They did not sing merely to entertain and amuse. They sought to deter their audiences from sin and also influence their politics. A new, unpublished song That night in Fairfax they sang a setting of “We Wait beneath the Furnace Blast,” a recent abolitionist poem by John Greenleaf Whittier that he wrote to … Continue reading

D.P. Faulds: Border State music publisher

D.P. Faulds cover

Louisville, Kentucky, located across the Ohio River from Indiana, was home to a thriving music publishing industry throughout the middle of the nineteenth century, D.P. Faulds being one of the more prominent. It issued music representing both sides of the Civil War, as did other Border State publishers. Four slave states, Missouri, Kentucky, Maryland, and Delaware voted down attempts to secede from the Union. They became known as Border States. Pro-Union and pro-Confederate sentiment ran high in all of these states, and troops from all of them served on both sides of the war. Is it any wonder that music … Continue reading

Divided loyalties?

Civil War Music

My posts about Confederate music of the Civil War are all based on a spreadsheet of songs in the Library of Congress’ sheet music collection. It took a long time to compile it, and there are just under 500 items labeled as representing the Confederate side. There are 1950 pieces in the same collection identified as representing the Union side. I finally broke down and paid someone else to prepare a spreadsheet. I have just now had a chance to glance at it. Some names familiar to me from the Confederate spreadsheet also appear on the Union spreadsheet. For example, … Continue reading

The Bonnie Blue Flag, by Harry Macarthy

Bonnie blue flag

In its short existence, the Confederate States of America adopted two official flags. The Southern Cross flag so familiar today was adopted only in 1863 after it became apparent that the original Stars and Bars looked enough like the American Stars and Stripes to confuse soldiers in battle. No song about either flag ever approached the popularity of Harry Macarthy’s tribute to the Bonnie Blue Flag, which was never an official Confederate flag at all. The flag Search for “Confederate Flag” on Google, and you might find one or two references to the Bonnie Blue Flag, but it’s not the … Continue reading

The Battle Cry of Freedom: best song of the Civil War?

Civil War music

Several songs of the Civil War remain well known to this day. Perhaps the best known today is “The Battle Hymn of the Republic,” but certainly the preeminent war song of its own day was “The Battle Cry of Freedom,” by George Frederick Root. “The Battle Hymn of the Republic,” with its religious allusions, quickly found a place in hymnals, which it retains to this day. “The Battle Cry of Freedom” is nothing but a war song, yet many of you reading this are probably humming it right now. What is it about this song that has given it such … Continue reading

Slave music and the Civil War

Civil War music

Since the American Civil War was fought over the issue of slavery, no survey of Civil War music can be complete without careful attention to slave music. Slave music didn’t arise from the war, of course. It had existed in one form or another for the entire two-century history of slavery. The war itself, while it was in progress, had little effect on slave music. Afterwards, when the slaves received their freedom, most of them were anxious to leave slave culture, including its music and performance practice, behind them. Slavery as an institution In the course of the American Revolution, … Continue reading

Civil War field music: fifes and drums

Drum Corps of the 93rd New York Infantry, photo taken in August of 1863 near Bealton, Virginia.

Military music during the American Civil War was a blend of old and new instruments and ensembles. Brass bands like the 26th North Carolina Regiment Band or the 1st Brigade Band, Wisconsinrepresented fairly recent instrumental combinations. The bugle was also a recent invention. Fife and drum bands, on the other hand, reached their heyday in the Revolutionary War and saw their last military action in the Civil War. The United States Marine Band was established by an Act of Congress in 1798. Don’t be thinking John Philip Sousa just yet. The original band comprised 32 fifers and drummers. An army … Continue reading

A Wisconsin band in the Civil War: 1st Brigade Band of Brodhead

Members of the Brodhead band, with leader E. O. Kimberly at top left.

When the Civil War started, the two sides suddenly required armies, and army regiments needed bands. I have already written about the 26th North Carolina Regiment Band, which grew out of one of the oldest musical institutions in the country. Brodhead, Wisconsin had existed less than a decade before its band joined the war effort. The 1st Brigade Band, as it eventually became known, got off to a rocky start, but earned an excellent reputation by the end of the war. The rapid growth of towns like Brodhead In the decade before the Civil War, railroads spread across the country, … Continue reading

George Frederick Root’s Civil War Songs

Geo. F Root, old

Chicago was the musical capital of the North when it came to production of great Civil War songs. The firm of Root & Cady employed two composers (the founder’s younger brother George Frederick Root and Henry Clay Work). Between the two of them, they composed all of the best-selling songs in the firm’s catalog and probably more big hits than any other Northern composer. George Frederick Root was born in 1820 in Sheffield, Massachusetts to a musical family. He studied piano with George J. Webb and, in 1845, moved to New York to establish a career as church organist and … Continue reading

God Save the South: an update on Confederate music

buy classical music

MRP4SNZYDHBB The Library of Congress Civil War Sheet Music Collection has five different items called “God Save the South!” These are attributed to three different composers. Not all of them name the author of the words. I have searched the collection by the keyword “Confederate,” obtaining a list of 493 items sorted by title. As it is impossible to resort that list, I have been working on a spreadsheet that I can sort in whatever ways are necessary. I am at the step of determining whether items with the same titles represent the same music or not. This post is … Continue reading