A Friday the 13th post

For most of his life, Arnold Schoenberg experienced fear not only of the number 13, but multiples of it.  He was sure that he would die during a year that was a multiple of 13, such as 1939 (’39 = 13 x 3). An astrologer assured  him that the year would be dangerous, but not fatal. In 1950, when he turned 76, another astrologer pointed out that 7 + 6 = 13. July 13, 1951 was the first Friday the 13 of his 76th year, he spent the day in bed, afraid of death. The story goes that his wife … Continue reading

Beethoven rises to a challenge!!

Everyone knows about Ludwig van Beethoven. He is a towering figure in Classical music, renowned for his contributions to the symphony, the string quartet, the piano sonata, and much more. No one but musicologists know much about Daniel Steibelt. They mostly remember him for using the tambourine in so many of  his piano sonatas (his wife played tambourine), for introducing the Chinese gong into his opera Romeo et Juliette (although later musicologists have determined it was some kind of tuned bell instead), and for coming out the loser in a brash challenge to Beethoven. Steibelt was born in Berlin. He … Continue reading

A Dog’s Taste for Bruckner

Some of Anton Bruckner’s students decided to play a trick on him. While he was out to  lunch, they played music on the piano for Bruckner’s dog. As one of them played a motive from Richard Wagner’s music, the others chased the dog around the room and slapped him. But when they played from Bruckner’s own Te Deum, they gave the dog treats. Once the dog started running away every time he heard Wagner’s music and came bounding toward the piano with his tail wagging every time he heard Bruckner’s, the students prepared the next part of their plan. When … Continue reading

Welcome to Musicology for Everyone

I’m not sure when I first heard the word musicology, but it must have been some time before I had any interest in pursuing it seriously. I majored in composition and trombone performance as an undergraduate. I have a masters in musicology, but started to work on a doctorate in performance before I decided musicology was a better fit. When I started college, I had a double major in music and history. (And yes, my music major was a double major, too. Kids! Think they can do it all! What a glutton for punishment!) The history major did not survive … Continue reading

When "classical" music was "popular"–Part 2

My first article on this topic explored how Rossini’s music was considered “popular” music in the sense of being somehow inferior to “classical” music, although it is now regarded as “classical” music. This one will explore the narrowing of gaps between social strata that resulted in a new style of music, which music history has come to regard as the Classical period. It was among the most truly popular music of all times, in the sense of appealing to audiences that crossed geographical and social boundaries (not to mention time!) At least from the late Middle Ages through the end … Continue reading