Gate crashers: trombones in Handel’s Messiah
Merry Christmas! Although Messiah is, strictly speaking, not Christmas music, having been composed for Lenten performances, today we most often …Read the Rest
Merry Christmas! Although Messiah is, strictly speaking, not Christmas music, having been composed for Lenten performances, today we most often …Read the Rest
I can remember as a child reading of Stephen Foster as the “American Schubert.” That is absurd. His knowledge of …Read the Rest
Nineteenth-century America’s greatest song writer, Stephen Collins Foster, owed much to a variety of musical influences. Earlier posts in this …Read the Rest
I have been enjoying my Christmas records for the past couple of weeks. I have also seen plenty of online …Read the Rest
German-speaking people began to emigrate to America in modest numbers as early as the late seventeenth century. Generally, they got …Read the Rest
As was the case with many things popular in America, black characters played by whites on stage originated in England. …Read the Rest
At first glance, the performance of Rossini’s Il barbiere di Siviglia (The Barber of Seville) in New York on November …Read the Rest
It never ceases to amaze me how many books on American popular song begin their coverage somewhere in the twentieth …Read the Rest
In a web environment, someone can write an article or record a song and put it online immediately. Conventional publishers …Read the Rest
(Saxhorns are the top row of instruments in this 1872 advertisement) In1845, French military music reached the bottom of a …Read the Rest