“In the Bleak Midwinter,” text by Christina Rosetti, is just about the only well known Christmas carol that I can think of with a text by a woman. She also wrote “Love Came Down at Christmas.” No combination of keywords I could think of yielded any other titles. Christina (1830-1894) Rosetti was part of an artistic family. One brother, poet and painter Dante Gabriel Rosetti, was among the founders of the Pre-Raphaelite movement; another William Michael Rosetti, soon joined the movement, but mostly as editor and critic. Their sister Maria Francesca Rosetti published at least one important essay. Their father, … Continue reading
The Christmas holidays are not a joyous occasion for everyone. Family tragedy can destroy enjoyment of festive occasions, as it did for Henry Wadsworth Longfellow. The story of “I Heard the Bells on Christmas Day” is perhaps the least joyous of any Christmas music I have ever studied. His wife tragically died in 1861, the same year as the American Civil War started. He could not deal with Christmas at all until 1864, a year after his son was severely injured in battle. Longfellow wrote his poem “Christmas Bells” on Christmas Eve, 1864. He wrote it not so much because he … Continue reading
This year marks the 300th anniversary of Carl Philipp Emanuel Bach. His contemporaries held him in much higher esteem than later generations, who have regarded him as just one of Johann Sebastian Bach’s sons. Yet in his lifetime, he was known as the “Great Bach.” When Mozart said, “Bach is the father. We are the children,” he had Emanuel in mind, not Sebastian. We may see him only in the shadow of his father, but in his lifetime, his father cast hardly any shadow at all. Why isn’t C.P.E. Bach better known today?
Whenever the name of a state appears in the title of a well-know song, it usually celebrates the state. It usually lends civic pride to its citizens. Usually. Georgia citizens do not like “Marching through Georgia.” It celebrates the success of an invading enemy. It celebrates Sherman’s march to the sea, one of the most destructive and terrorizing events in the state’s history. But nearly 150 years later, it’s still internationally popular.
Modest Mussorgsky (1839-1881) was a brilliant, but undisciplined composer who left many unfinished works at his death. His colleague Nicolai Rimsky-Korsakov finished many of them and had them published. Oddly enough, Mussorgsky finished Night on Bald Mountain three times. Rimsky-Korsakov finished it again, and it’s his version we most often hear. Mussorgsky’s original version was never performed until 1968. Mussorgsky’s Night on Bald Mountain Mussorgsky may have considered writing an opera based on Gogol’s story “St. John’s Eve” as early as 1860. A friend of Mussorgsky’s wrote a play called “The Witch,” which included a witch’s sabbath scene on a bare … Continue reading
The year 1964 saw the premieres of some of our most outstanding Broadway musicals, including Hello, Dolly!, Funny Girl, and Fiddler on the Roof. Fiddler on the Roof is based on eight stories about Tevye the milkman by Sholem Aleichem written between 1894 and 1914. Tevye has extended conversations with a character named Sholem Aleichem. To what extent does this Sholem Aleichem speak with the author’s voice, and to what extent is he as fictitious as Tevye? Even his contemporaries couldn’t figure it out. Likewise, it is not clear how faithful the stories are to real historical conditions. Aleichem’s stories … Continue reading
September sees the beginning of the harvest of nature’s abundance, but then the fields stop growing. It displays flamboyant color, as the leaves turn from uniform green to variegated reds, oranges, and yellows. But then autumn turns a dull brown. Relief from the heat of summer invigorates for a while, but gives way to melancholy. September melancholy has inspired some wonderful songs.
There have been two periods in history where solo trombone captured the popular imagination. Most recently, jazz made stars of Kid Ory, Jack Teagarden, Leonard Brown, Tommy Dorsey, J. J. Johnson and too many others to mention. Jazz no longer defines popular music in America. No living trombonist has the same standing in public esteem. The other period began in Germany early in the 19th century and quickly spread worldwide, even to the US, then struggling to establish its own musical life. English musical life included many trombone soloists, all but one of them human. France also produced very successful … Continue reading
Popular songs usually don’t have a very long shelf life, but sometimes they’re more than just songs. Some of them affect the course of social and political events. Even after no one sings them or recognizes them any more, these are worth studying for their historical significance. I thought “Kingdom Coming” by Henry Clay Work was such a song. In form it’s a minstrel song, with a text in the slave dialect. Unlike almost any other minstrel song, it conveys a strong abolitionist sentiment. Poets who disdained the minstrel song tradition wrote abolitionist texts in dialect, which also became popular … Continue reading
The self-deprecating Lawrence Brown is best known as one the great players in Duke Ellington’s trombone section. In fact, when Brown joined, the Ellington band became the first jazz band to have three trombones. He is, of course, more than just a number. He became the band’s lead trombonist and a very versatile soloist. How versatile? In addition to his incredible displays of virtuosity, he is probably the first of the great jazz ballad trombonists. But I described him as self-deprecating. He frequently spoke poorly of his own ability. It must have been an attempt to appear humble. If he … Continue reading