For most of a century, advanced trombone students have worked from a combination of the trombone method by Victor Cornette (1795-1868) and the Melodious Etudes compiled from Marco Bordogni’s vocalises by Johannes Rochut.
Cornette published the first edition of his method in 1831.
The Paris Conservatory taught trombone when it opened in 1795, but soon abandoned it. It didn’t offer trombone again until after Cornette published his method, Continue reading
In reading for this post, I was also surprised at finding next to nothing about the composition of the song.
Bob Thiele, who wrote the words, was at the time head of Impulse Jazz, a subsidiary of ABC Records.
When he took that position, he was already a veteran of more than 20 years as a producer of jazz records. His obituary in the New York Times doesn’t even mention his role in this song. Continue reading
A record of two songs by the Original Dixieland Jass band appeared in May 1917. It has gone down in history as the earliest jazz recording. Or was it?
In any case, it made a huge splash. Recordings of dozens of other pieces with either jazz in the title or the name of the group appeared before the end of the year.
The year 1917 marks a turning point not only in a particular art form, but in black music. Even though whites made the overwhelming majority of the earliest jazz recordings. Continue reading
So what is music? And where does it come from?
It’s not as if anyone can actually define it, but composers have expressed their opinions. What did they think they were doing? Here are some famous composers’ quotes Continue reading
The popular cliché of the starving artist came too close to home for him when World War One broke out. He needed cash.
For that purpose, the piece utterly failed. Continue reading
Widely copied misinformation did not begin with the Internet. Reliable historical writings about the trombone in English begin with a 1906 article by Francis Galpin.
Before that? Fake histories abounded. Likely as not, they appeared in encyclopedia articles.
They frequently name sources, but except for the Bible, not with enough precision that interested readers could actually find them. Or else they name current secondary sources that refer only to bibliographic fog. Continue reading
Most of what we call Christmas carols are actually Christmas hymns. “In dulci jubilo” is a true carol, that is, a medieval dance tune.
Carol texts could be either sacred or secular. Sacred texts usually concerned major feast days, including the birth of Jesus, thus the association of carols with Christmas music.
Folk instruments, including drums and other percussion, frequently accompanied carols and other dances.
The use of dance rhythms, instruments, and non-Latin texts made carols like “In dulci jubilo” unsuitable for use in Roman Catholic church services.
But the Medieval world knew no separation between religious and secular life. Civic ceremonies and private entertainment at all levels of society made frequent reference to religious imagery.
English-language hymnals often pair the tune with a free translation by John Mason Neale, “Good Christian Men, rejoice.” Continue reading
The season of autumn has inspired some of America’s best popular songs.
New York has inspired more songs than any other American city. Inevitably, someone wrote a song called Autumn in New York.
That it became a standard, recorded by dozens of the giants of American popular music was not inevitable. Continue reading
New media and services like YouTube and Spotify are shaking up the music industry. But they have no more impact than the phonograph record player did just over a hundred years ago.
Not very long ago, if anyone wanted to experience music, they had to go to a concert or make it themselves.
Many towns and smaller cities had no local professional concert organizations. Their citizens could attend a concert only if traveling performers chose to stop there.
On the other hand, nearly every middle class household had a piano. Many people sang and played other instruments. Even small towns had bands, perhaps attached to a local militia unit.
Then came the phonograph record player. Continue reading
Lovers of Irving Berlin’s music know that he wrote double songs.
Two characters on stage sing different songs in succession. Then they sing them together in counterpoint.
Most may not be aware that Berlin published 15 of them between 1914 and 1966. Continue reading